网上摄影展览《现·像》（彭邦）

        全球疫情的肆虐，让这个世界的变化更加莫测。也许摄影人，从″野性″中逐渐回到"人性和理性"的冷静中来，开始梳理和调整自己，为未来的再出发，运筹帷幄。
        各种展览场馆，相继不断封闭停馆，给业界所带来的冲击也是前所未有的。当下网络媒介的发展和功能，为弥补这种缺陷，给了业界获得重生的机会， 至少对业界是一种解渴。
        中国摄影在线，长期以来坚持的线上，线下并举的展览活动，在这个节点上，显然是呈现了一种优势，这种优势在于长年累月的积淀。
        今天网上《现·像》摄影作品展，展示出了中国和外国的十几位摄影家的作品。作为摄影的国际交流活动平台，多年来中国摄影在线不浅余力，为摄影事业和摄影人做出了积极的奉献。
        中西方的文化背景不同，对摄影语言的表达和呈现方式是有所不同的。但是这种差异在″摄影″的这个范畴里，却找了一种共同认知的集结。
        同样是一部相机，在不同的摄影家手中所起到和发挥的作用大不相同。我们从这次网展上，看到中国的摄影家摄影作品的风格，无疑受到了传统中国文化的熏陶，蕴含着一种诗意和韵律。国外部分的摄影家作品，让人感觉到，作者将生活搬进了作品里，试图让我们和他们共享。
        只凭一种单纯的视觉感受，很难去作出两种不同形态，实质性的对比和评判。这种跨越时空的对话，并没有受到语言和文字的不同而阻隔受限，更能让读者，去感受和理解到作品的真正意义。
        我们可以从所有作品中，感受到一种人性和理性的共融。一种交错式的对流，也许就是一种交流。延续这种国际间摄影界共融和交流，也就成了我们一种责任。


About Exhibition

The raging of the global COVID-19 pandemic has made the changes in this world even more unpredictable. Perhaps photographers, who have gradually returned to the calmness of "humanity and rationality" from the wildness, began to sort out and adjust themselves, and strategize for the future.
Various exhibition venues have been continuously closed, and the impact to the photography industry is unprecedented. The current development and function of the current network media, in order to make up for this defect, gives the industry the opportunity to obtain rebirth, at least is a kind of thirst for the industry.
Various exhibition venues have been continuously closed, and the impact to the photography industry is unprecedented. The current development and function of the current network media, in order to make up for this defect, gives the industry the opportunity to obtain rebirth, at least is a kind of thirst for the industry.
China Photo Network Online(CPNO) has long insisted on both online and offline exhibition activities. At this node, it obviously presents an advantage, which lies in the accumulation over the years.
Today, the online photography exhibition we see showcases the works of dozens of photographers from China and abroad. As an international exchange activity platform for photography, China Photo Network Onlin has made great efforts over the years and has made active contributions to the photography career and photographers.
The cultural backgrounds of China and the West are different, and the expression and presentation of photographic language are different. However, this difference has found a common understanding in the category of “Photography”.
The same camera plays and plays very different roles in the hands of different photographers. From this online exhibition, we can see that the style of Chinese photographers' photographic works is undoubtedly influenced by traditional Chinese culture, and contains a kind of poetry and rhythm. Some foreign photographers' works make people feel that the author has moved life into his works, trying to let us share with them.
Based on a simple visual experience, it is difficult to make two different forms, substantive comparisons and judgments. This kind of dialogue across time and space is not blocked and limited by differences in language and words, and it allows readers to feel and understand the true meaning of the photographic work.
We can feel a communion of humanity and rationality in all photographic works. A staggered convection may be a kind of communication. It has become our responsibility to continue this international photography communion and exchange.